SAW

Like all game changers within the horror genre, SAW was an independent success, a low-budget champion that flourished without the patronage of a big studio. Not bad for the most successful horror franchise ever, which has spawned subsidiary media and masses of merchandise, including a theme park rollercoaster ride. What is it about SAW that attracted such a following? In his contribution to the Devil's Advocates series, Ben Poole considers the SAW phenomenon from all aspects of film and media studies from its generic pedigree in both literature and film, to the visceral audience pleasures (what would I do?) of the text, to the contrasting representations of men and women and the film's implicit criticism of masculinity. See more