The Desert Mothers was first published by a small press in Mississippi in 1984, and contained several important poems from Nathaniel Tarn's early '80s period. This new edition revives the original chapbook, adding to it three other long sequences from the same period, as part of the Shearsman Library series, which is devoted to recovering significant out-of-print, or hard-to-find editions of modern poetry.
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Product Details
Weight: 115g
Dimensions: 152 x 229mm
Publication Date: 20 Jul 2018
Publisher: Shearsman Books
Publication City/Country: United Kingdom
Language: English
ISBN13: 9781848615915
About Nathaniel Tarn
Nathaniel Tarn was born in 1928 in Paris of British-Lithuanian and French-Romanian parents educated in France Belgium and England obtaining degrees from Cambridge the Sorbonne and Chicago; he emigrated to the United States in 1970 where he taught at American universities until his retirement. He now lives just outside Santa Fe New Mexico. Although he is perhaps best-known these days as a poet and essayist he is also an anthropologist with a particular interest in Highland Maya studies and the sociology of Buddhist institutions and a translator of the highest order (see above all his versions of Neruda's The Heights of Macchu Picchu and Victor Segalen's Stelae). His first collection of poetry was Old Savage/Young City (Cape London1964) which was followed the next year by his appearance in the seventh volume of the Penguin Modern Poets series. Three more collections followed in London during which time he also became editor of the remarkable Cape Editions series of seminal modern texts: poetry prose anthropology drama many of them pioneering translations. He emigrated to the United States in 1970 after which only two more collections - the important volume A Nowhere for Vallejo and the ambitious book-length poem Lyrics for the Bride of God - were to appear in the UK. Thereafter with the exception of his Shearsman publications and a single volume from Salt all of his work has appeared in the USA most significantly: The House of Leaves (Black Sparrow)Atitlan/Alashka (with Janet Rodney Brillig Works) At the Western Gates (Tooth of Time Books) and Selected Poems 1950-2000 (Wesleyan University Press). There is also a significant volume of essays in Views from the Weaving Mountain (University of New Mexico Press). Tarn's work is remarkable for expansiveness and its willingness to absorb material from very disparate sources-in this it owes something to the examples of Pound and Olson but also a lot to the author's own anthropological training his knowledge of other languages and his many interests in areas such as archaeology.