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A01=Renaud Gagné
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Cosmography and the Idea of Hyperborea in Ancient Greece: A Philology of Worlds

English

By (author): Renaud Gagné

Cosmography is defined here as the rhetoric of cosmology: the art of composing worlds. The mirage of Hyperborea, which played a substantial role in Greek religion and culture throughout Antiquity, offers a remarkable window into the practice of composing and reading worlds. This book follows Hyperborea across genres and centuries, both as an exploration of the extraordinary record of Greek thought on that further North and as a case study of ancient cosmography and the anthropological philology that tracks ancient cosmography. Trajectories through the many forms of Greek thought on Hyperborea shed light on key aspects of the cosmography of cult and the cosmography of literature. The philology of worlds pursued in this book ranges from Archaic hymns to Hellenistic and Imperial reconfigurations of Hyperborea. A thousand years of cosmography is thus surveyed through the rewritings of one idea. This is a book on the art of reading worlds slowly. See more
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A01=Renaud GagnéAge Group_UncategorizedAuthor_Renaud Gagnéautomatic-updateCategory1=Non-FictionCategory=HBLACategory=HDDKCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=In stockPrice_€100 and abovePS=Activesoftlaunch
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Product Details
  • Weight: 790g
  • Dimensions: 144 x 222mm
  • Publication Date: 22 Apr 2021
  • Publisher: Cambridge University Press
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781108833233

About Renaud Gagné

Renaud Gagné is University Reader in Ancient Greek Literature and Religion at the University of Cambridge and Fellow of Pembroke College. He has published Ancestral Fault in Ancient Greece (Cambridge 2013); Choral Mediations in Greek Tragedy (Cambridge 2013 with Marianne Hopman); Sacrifices humains (Liège 2013 with Pierre Bonnechere); Regimes of Comparatism (Leiden 2018 with Simon Goldhill and Geoffrey Lloyd); Les dieux d'Homère II (Paris 2019 with Miguel Herrero). In 2015 he received the Philip Leverhulme Prize.

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