In and Out of View: Art and the Dynamics of Circulation, Suppression, and Censorship | Agenda Bookshop Skip to content
Please note that books with a 10-20 working days delivery time may not arrive before Christmas.
Please note that books with a 10-20 working days delivery time may not arrive before Christmas.
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Catha Paquette
B01=Christopher Miles
B01=Karen Kleinfelder
Category1=Non-Fiction
Category=ACX
Category=ACXJ
Category=AGC
Category=JFMD
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch

In and Out of View: Art and the Dynamics of Circulation, Suppression, and Censorship

English

In and Out of View models an expansion in how censorship is discursively framed. Contributors from diverse backgrounds, including artists, art historians, museum specialists, and students, address controversial instances of art production and reception from the mid-20th century to the present in the Americas, Africa, Asia, Europe, and the Middle East. Their essays, interviews, and statements invite consideration of the shifting contexts, values, and needs through which artwork moves in and out of view. At issue are governmental restrictions and discursive effects, including erasure and distortion resulting from institutional policies, canonical processes, and interpretive methods. Crucial considerations concerning death/violence, authoritarianism, (neo)colonialism, global capitalism, immigration, race, religion, sexuality, activism/social justice, disability, campus speech, and cultural destruction are highlighted. The anthologya thought-provoking resource for students and scholars in art history, museum and cultural studies, and creative practicesrepresents a timely and significant contribution to the literature on censorship. See more
Current price €28.79
Original price €31.99
Save 10%
Age Group_Uncategorizedautomatic-updateB01=Catha PaquetteB01=Christopher MilesB01=Karen KleinfelderCategory1=Non-FictionCategory=ACXCategory=ACXJCategory=AGCCategory=JFMDCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€20 to €50PS=Activesoftlaunch
Delivery/Collection within 10-20 working days
Product Details
  • Dimensions: 178 x 254mm
  • Publication Date: 15 Dec 2022
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781501377464

About

Catha Paquette is Professor of Art History at California State University Long Beach USA. She is the author of At the Crossroads: Diego Rivera and His Patrons at MoMA Rockefeller Center and the Palace of Fine Arts (2017). In essays published in and outside the US she has investigated production and reception of Latin American art in Latin America and the US including promotion circulation and acquisition by collectors public agencies and private institutions. Karen L. Kleinfelder is Professor of Art History at California State University Long Beach USA. She is the author of The Artist His Model Her Image His Gaze: Picassos Pursuit of the Model (1993) and has been published in the exhibition catalogues Picasso: Inside the Image (1995) and Picasso and the Mediterranean (1996). As a specialist in modern and contemporary art and theory her research interests focus on gender psychoanalysis and complexity theory. Christopher Miles is Professor of Art and director of the Center for Contemporary Ceramics at California State University Long Beach USA. Among the exhibitions he has co-curated are THING: New Sculpture from Los Angeles (Hammer Museum 2005) and L.A. Invisible City (Instituto Cervantes Madrid 2010). His work has been shown at the ACME gallery Pasadena Museum of California Art and Patricia Sweetow Gallery. His writings have been extensively published in art journals and exhibition catalogs.

Customer Reviews

Be the first to write a review
0%
(0)
0%
(0)
0%
(0)
0%
(0)
0%
(0)
We use cookies to ensure that we give you the best experience on our website. If you continue we'll assume that you are understand this. Learn more
Accept