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B01=Karen Mary Davalos
B01=Tatiana Reinoza
Category1=Non-Fiction
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Category=AC
Category=JFSL
Category=JFSL1
Category=JFSL4
COP=United States
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Language_English
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Self Help Graphics at Fifty: A Cornerstone of Latinx Art and Collaborative Artmaking

English

The definitive history of a cherished East Los Angeles institution over five decades of art making and community building.
 
Self Help Graphics at Fifty celebrates the ongoing legacy of an institution that has had profound aesthetic, economic, and political impact on the formation of Chicanx and Latinx art in the United States.
 
Officially launched in 1973 during the Chicano Movement, Self Help Graphics & Art continues to serve on the cultural front. The institutions commitment to art, dignity for all, and empowerment of Chicanx and Latinx artists appears in every aspect of programming, including the Día de los Muertos festival; the Barrio Mobile Art Studio, which brings art education to underserved schools; and the printmaking program, which offers an accessible medium infused with activist aims. Looking at the multiple genealogies of art that intersect in East Los Angeles, Self Help Graphics at Fifty bears witness to the organizations influential role in US and global art histories. See more
Current price €57.59
Original price €63.99
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Age Group_Uncategorizedautomatic-updateB01=Karen Mary DavalosB01=Tatiana ReinozaCategory1=Non-FictionCategory=ABCategory=ACCategory=JFSLCategory=JFSL1Category=JFSL4COP=United StatesDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€50 to €100PS=Activesoftlaunch
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Product Details
  • Weight: 1089g
  • Dimensions: 178 x 254mm
  • Publication Date: 25 Apr 2023
  • Publisher: University of California Press
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9780520390867

About

Tatiana Reinoza is Assistant Professor of Art History at the University of Notre Dame. She is the author of Reclaiming the Americas: Latinx Art and the Politics of Territory.  Karen Mary Davalos is Professor of Chicano and Latino Studies at the University of Minnesota Twin Cities. She is the author of Chicana/o Remix: Art and Errata Since the Sixties.

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