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Asian Self-Representation at World''s Fairs

English

By (author): William Peterson

International expositions or worlds fairs are the largest and most important stage on which millions routinely gather to directly experience, express, and respond to cultural difference. Rather than looking at Asian representation at the hands of colonizing powers, something already much examined, Asian Self-Representation at Worlds Fairs instead focuses on expressions of an empowered Asian self-representation at worlds fairs in the West after the so-called golden age of the exhibition. New modes of representation became possible as the older exhibitionary order of earlier fairs gave way to a dominant performative order, one increasingly preoccupied with generating experience and affect. Using case studies of national representation at selected fairs over the hundred-year period from 1915-2015, this book considers both the politics of representation as well as what happens within the imaginative worlds of Asian country pavilions, where the performative has become the dominant mode for imprinting directly on human bodies. See more
Current price €123.29
Original price €136.99
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A01=William PetersonAge Group_UncategorizedAuthor_William Petersonautomatic-updateCategory1=Non-FictionCategory=ABACategory=AFKPCategory=JHMCCategory=KCLTCOP=NetherlandsDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=Not available (reason unspecified)Price_€100 and abovePS=Activesoftlaunch
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Product Details
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Sep 2020
  • Publisher: Amsterdam University Press
  • Publication City/Country: Netherlands
  • Language: English
  • ISBN13: 9789462985636

About William Peterson

William Peterson is Associate Professor of Drama and head of the Creativity Research Theme in the College of Humanities Arts and Social Sciences at Flinders University Adelaide Australia. Among his publications are Places for Happiness: Community Self and Performance in the Philippines (Hawaii 2016) Theatre and the Politics of Culture in Contemporary Singapore (Wesleyan 2001) and chapters and journal articles on performance at mass events.

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