Joan Acocella, one of our finest cultural critics (Edward Hirsch), has the rare ability to examine literature and unearth the lives contained within it - its authors, its subjects, and the communities from which it sprung. In her hands, arts criticism becomes a celebration and an investigation, and her essays pulse with unadulterated enthusiasm. As Kathryn Harrison wrote in The New York Times, Hers is a vision that allows art its mystery but not its pretensions, to which she is acutely sensitive. What better instincts could a critic have? Book Reports gathers twenty-four essays from the past decade and a half of Acocellas career, as well as an introduction that frames her simple preoccupations, Life and Art. In agile, inspired prose, the New Yorker staff writer moves from J. R. R. Tolkiens translation of Beowulf to the life of Richard Pryor, from surveying profanity to untangling the book of Job. Her appetite (and reading list) knows no bounds. This collection is a joy and a revelation, a library in itself, and Acocella our dream companion among its shelves.
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Product Details
Weight: 564g
Dimensions: 163 x 235mm
Publication Date: 18 Mar 2024
Publisher: Farrar Straus & Giroux Inc
Publication City/Country: United States
Language: English
ISBN13: 9780374608095
About Joan Acocella
Joan Acocella has been a staff writer at The New Yorker since 1995. She served as the magazine's dance critic from 1998 to 2019. Her books include Mark Morris Willa Cather and the Politics of Criticism Creating Hysteria: Women and Multiple Personality Disorder and most recently Twenty-eight Artists and Two Saints a collection of essays. She coedited André Levinson on Dance: Writings from Paris in the Twenties and edited The Diary of Vaslav Nijinsky. She has received fellowships from the Guggenheim Foundation the American Academy in Berlin and the New York Institute for the Humanities as well as awards from the American Academy of Arts and Letters and the New York Book Critics Circle. She lives in New York.