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The Hamburg Dramaturgy by G.E. Lessing: A New and Complete Annotated English Translation

English

Translated by: Sara Figal, Wendy Arons

While eighteenth-century playwright and critic Gotthold Ephraim Lessing made numerous contributions in his lifetime to the theater, the text that best documents his dynamic and shifting views on dramatic theory is also that which continues to resonate with later generations the Hamburg Dramaturgy (Hamburgische Dramaturgie, 176769). This collection of 104 short essays represents one of the eighteenth centurys most important critical engagements with the theater and its potential to promote humanistic discourse. Lessings essays are an immensely erudite, deeply engaged, witty, ironic, and occasionally scathing investigation of European theatrical culture, bolstered by deep analysis of Aristotelian dramatic theory and utopian visions of theater as a vehicle for human connection.

This is the first complete English translation of Lessing's text, with extensive annotations that place the work in its historical context. For the first time, English-language readers can trace primary source references and link Lessings observations on drama, theory, and performance not only to the plays he discusses, but also to dramatic criticism and acting theory. This volume also includes three introductory essays that situate Lessings work both within his historical time period and in terms of his influence on Enlightenment and post-Enlightenment theater and criticism.

The newly translated Hamburg Dramaturgy will speak to dramaturgs, directors, and humanities scholars who see theater not only for entertainment, but also for philosophical and political debate.

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Product Details
  • Weight: 830g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Oct 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9780415662451

About

Gotthold Ephraim Lessing (172981) was a playwright critic and philosopher of the German Enlightenment. His plays include Miss Sara Sampson Minna von Barnhelm Emilia Galotti and Nathan the Wise. In addition to the Hamburg Dramaturgy Lessing is known for his masterpiece of aesthetic theory Laocoon: An Essay on the Limits of Painting and Poetry.Wendy Arons is professor of drama at Carnegie Mellon University. She is the author of Performance and Femininity in Eighteenth-Century German Women's Writing: The Impossible Act (Palgrave Macmillan 2006) and co-editor with Theresa J. May of Readings in Performance and Ecology (Palgrave Macmillan 2012).Sara Figals research centers on eighteenth-century German literature and history. She is the author of Heredity Race and the Birth of the Modern (Routledge 2011 and 2008) and co-editor with Mark Larrimore of The German Invention of Race (SUNY Press 2007 and 2006). Natalya Baldygas research focuses on theater historiography cultural identity and the performing body in eighteenth-century Europe. Her published essays include Sensate Cognition and Properly Feeling Bodies: G. E. Lessing Acting Theory and Emotional Regulation in Eighteenth-Century Germany (Theatre Survey 2017).

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