Global Gold: Aesthetics, Material Desires, Economies in the Late Medieval and Early Modern World | Agenda Bookshop Skip to content
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A32=Abigail Krasner Balbale
A32=Anne Dunlop
A32=Carlo Taviani
A32=Cecilia Frosinini
A32=Chiara Crisciani
A32=Kris Lane
A32=Suzanne Preston Blier
A32=Yukio Lippit
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B01=Thomas B. F. Cummins
Category1=Non-Fiction
Category=AC
Category=HBG
Category=KCBM
COP=United States
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Language_English
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Global Gold: Aesthetics, Material Desires, Economies in the Late Medieval and Early Modern World

English

Gold as a material and gold as a value becomes a truly universal equivalent in the early modern world as global economies begin to emerge after 1492. The essays in Global Gold present both the aesthetic and economic conditions that immediately precede the emergence of this global commerce as well as the immediate and various consequences of those interactions. Through interdisciplinary essays by scholars of European, American, African, and Asian history and art history, the differences and commonalities of golds monetary, economic, and aesthetic roles are explored within the crucible of a unique historical period of transition, conquest, and the exploitation of natural and human resources. See more
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A32=Abigail Krasner BalbaleA32=Anne DunlopA32=Carlo TavianiA32=Cecilia FrosininiA32=Chiara CriscianiA32=Kris LaneA32=Suzanne Preston BlierA32=Yukio LippitAge Group_Uncategorizedautomatic-updateB01=Thomas B. F. CumminsCategory1=Non-FictionCategory=ACCategory=HBGCategory=KCBMCOP=United StatesDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€20 to €50PS=Activesoftlaunch
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Product Details
  • Dimensions: 171 x 241mm
  • Publication Date: 16 Apr 2024
  • Publisher: Harvard University Press
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9780674296176

About

Thomas B. F. Cummins is the Dumbarton Oaks Professor of Pre-Columbian and Colonial Art at Harvard University and Director of Dumbarton Oaks. Abigail Krasner Balbale is Assistant Professor Cultural History of the Islamic World Bard Graduate Center. Suzanne Preston Blier is Allen Whitehill Clowes Professor of Fine Arts and Professor of African and African American Studies at Harvard University. Anne Dunlop is Professor of Art History and Herald Chair of Fine Arts at the University of Melbourne. Her prizewinning publications include Painted Palaces: The Rise of Secular Art in Early Renaissance Italy; The Matter of Art: Materials Practices Cultural Logics c. 12501750; and Antipodean Early Modern: European Art in Australian Collections c. 12001600.

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