{"product_id":"a-companion-to-impressionism","title":"Companion to Impressionism","description":"\u003cp\u003e\u003cb\u003eThe 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003ePresenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art.\u003c\/p\u003e \u003cp\u003eFocusing on the 1860s to 1890s, this \u003ci\u003eCompanion \u003c\/i\u003eexplores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed \u003ci\u003eWiley Blackwell Companions to Art History\u003c\/i\u003e series, this important new addition to scholarship in this field:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eReevaluates the origins, chronology, and critical reception of French Impressionism\u003c\/li\u003e\n\u003cli\u003eDiscusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality\u003c\/li\u003e\n\u003cli\u003eExplores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas\u003c\/li\u003e\n\u003cli\u003eConsiders Impressionism's relationship to the emergence of film and photography in the 19th century\u003c\/li\u003e\n\u003cli\u003eConsiders Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change\u003c\/li\u003e\n\u003cli\u003eAddresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century\u003c\/li\u003e\n\u003cli\u003eFeatures original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003eThe \u003ci\u003eWiley Blackwell Companion to Impressionism\u003c\/i\u003e is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":54168632787288,"sku":null,"price":189.66,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/1295\/4195\/files\/9781119373896_b1816c93-6e8a-4362-abc5-23ae985f33f1.jpg?v=1780112756","url":"https:\/\/agendabookshop.com\/products\/a-companion-to-impressionism","provider":"Agenda Bookshop","version":"1.0","type":"link"}