Art and Protest

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19. Jahrhundert
19th century
A01=Charlotte Yeldham
art
art and nature
art Great Britain
Author_Charlotte Yeldham
britische Kunstler
British artists
Category=ABC
Category=AGA
Category=AGNL
Category=AMV
deutsche Kunstler
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
German artists
Grossbritannien
Kunst
landscape painting
Landschaft
Landschaftsmalerei
Natur und Kunst

Product details

  • ISBN 9783111023359
  • Weight: 214g
  • Dimensions: 155 x 230mm
  • Publication Date: 03 Apr 2023
  • Publisher: De Gruyter
  • Publication City/Country: DE
  • Product Form: Paperback
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Following official protection of natural environments for public benefit in Fontainebleau Forest in France (1861) and in Yosemite (1864) and Yellowstone (1872) in the USA, the New Forest Act of 1877 marked the first major instance in Britain. Art and artists were involved in this achievement to a greater extent than in all preceding cases. For the first time, and within an ecocritical framework, this study examines the role played by art during the previous anti-enclosure campaign – highlighting both the hitherto-unacknowledged extent of German influence in terms of the original artistic initiative and of German artists’ participation in the cause, as well as the significance of connections between landscape art of the day and priorities of the early Open Spaces movement.

  • Ecocriticism in art history
  • With works by the German and British artists George Bouverie Goddard, Wilhelm Kümpel, Alfred Pizzi Newton, Wilhelm Trautschold, Edmund George Warren

Charlotte Yeldham, independent art historian (MA Oxford, PhD Courtauld Institute of Art), UK

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