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Chaucerian Theatricality
Chaucerian Theatricality
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A01=John M. Ganim
Age Group_Uncategorized
Age Group_Uncategorized
Allegory
Allusion
Anecdote
Anti-poetry
Anxiety of influence
Author_John M. Ganim
automatic-update
Bastard feudalism
Carnivalesque
Category1=Non-Fiction
Category=DSC
Charivari
Chichevache
Chivalric romance
COP=United States
Courtly love
Criticism
Defamation
Delivery_Pre-order
Dramatic monologue
English poetry
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Essay
Etymology
Fabliau
Farce
Fiction
Flattery
Francois Rabelais
Genre fiction
Goliard
Imagery
Irony
Joke
Lanercost Chronicle
Language_English
Literary modernism
Literary theory
Literature
Narcissism
Narrative
PA=Temporarily unavailable
Pandarus
Parody
Pessimism
Petrarch
Poetry
Polonius
Postmodernism
Price_€50 to €100
Proverb
PS=Active
Pun
Rabelais and His World
Ricardian (Richard III)
Roman a clef
Satire
Satyr play
Sentimentality
Seriousness
softlaunch
Sophistication
Suspension of disbelief
The Canterbury Tales
The Cook's Tale
The Decameron
The Franklin's Tale
The Knight's Tale
The Manciple's Tale
The Merchant's Tale
The Miller's Tale
The Nun's Priest's Tale
The Pardoner's Tale
The Parson's Tale
The Pursuit of the Millennium
The Shipman's Tale
The Squire's Tale
The Wife of Bath's Tale
Traditional story
Tragedy
Troilus and Criseyde
Ventriloquism
Product details
- ISBN 9780691631141
- Weight: 397g
- Dimensions: 152 x 229mm
- Publication Date: 19 Apr 2016
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Whereas modern criticism has emphasized the unity and sense of permanence in The Canterbury Tales, John Ganim alerts us to a dialectically opposing dimension that Chaucer's poetics shares with the popular culture of the late Middle Ages: his celebration of the ephemeral and his sense of performance. Ganim uses the concept of theatricality to illuminate Chaucer's manipulations of the forms of popular culture and high literary discourse. He calls upon recent work in semiotics and social history to question Mikhail Bakhtin's notion of the "carnivalesque" and the "dialogic," at the same time suggesting Bakhtin's usefulness in understanding Chaucer. This book includes chapters on how Chaucer adopts the voice of such popular literary forms as chronicles and pious collections, on his equivalence between his own image making and dramatic performance, and on Chaucer's and Boccaccio's handling of the related issues of popular understanding and the creation of illusions. The book concludes by describing how Chaucer conflates "noise" and popular expression, simultaneously appropriating and distancing himself from his richest cultural context. Originally published in 1990.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Chaucerian Theatricality
€92.99
