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Cicero, Catullus, and the Language of Social Performance
Cicero, Catullus, and the Language of Social Performance
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A01=Brian A. Krostenko
Author_Brian A. Krostenko
Category=CFG
Category=DNL
Category=DSBB
Category=NHTB
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Product details
- ISBN 9780226454436
- Weight: 624g
- Dimensions: 18 x 24mm
- Publication Date: 01 Feb 2001
- Publisher: The University of Chicago Press
- Publication City/Country: US
- Product Form: Hardback
Charm, wit and style were critical, but dangerous, ingredients in the social repertoire of the Roman elite. Their use drew special attention, but also exposed one to potential ridicule or rejection for valuing style over substance. Brian A. Krostenko explores the complexities and ambiguities of charm, wit and style in Roman literature of the late Republic by tracking the origins, development and use of the terms that described them, which he calls "the language of social performance". As Krostenko desmonstrates, a key feature of this language is its capacity to express both approval and disdain - an artifact of its origins at a time when the "style" and "charm" of imported Greek cultural practices were greeted with both enthusiasm and hostility. Cicero played on that ambiguity, for example, by chastising "lepidus" ("fine") boys in the "Second Oration against Catiline" as degenerates, then arguing in his "De Oratore" that the successful speaker must have a certain charming "lepos" ("wit"). Catullus, in turn, exploited and inverted the political subtexts of this language for innovative poetic and erotic idioms.
Cicero, Catullus, and the Language of Social Performance
€163.68
