Cures for Chance

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A Chaste Maid in Cheapside
A01=Erin Ellerbeck
adoption
Age Group_Uncategorized
Age Group_Uncategorized
alteration of nature
Author_Erin Ellerbeck
automatic-update
Category1=Non-Fiction
Category=AN
Category=ANB
Category=ANS
Category=ASZD
Category=ASZH
Category=ATC
Category=ATD
Category=ATDS
Category=DSG
Category=DSR
COP=Canada
cultivation
Delivery_Delivery within 10-20 working days
early modern literature
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
family
Language_English
Middleton
PA=Available
Price_€20 to €50
PS=Active
Renaissance drama
reproduction
Shakespeare
softlaunch
theatre
Titus Andronicus
Women Beware Women

Product details

  • ISBN 9781487508784
  • Weight: 410g
  • Dimensions: 159 x 235mm
  • Publication Date: 06 Dec 2021
  • Publisher: University of Toronto Press
  • Publication City/Country: CA
  • Product Form: Hardback
  • Language: English
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Adoption allows families to modify, either overtly or covertly, what is considered to be the natural order. Cures for Chance explores how early modern English theatre questioned the inevitability of the biological family and proposed new models of familial structure, financial inheritance, and gendered familial authority. Because the practice of adoption circumvents sexual reproduction, its portrayal obliges audiences to reconsider ideas of nature and kinship.

This study elucidates the ways in which adoptive familial relations were defined, described, and envisioned on stage, particularly in the works of Shakespeare and Middleton. In the plays in question, families and individual characters create, alter, and manage familial relations. Throughout Cures for Chance, adoption is considered in the broader socioeconomic and political climate of the period. Literary works and a wide range of other early modern texts – including treatises on horticulture and natural history and household and conduct manuals – are analysed in their historical and cultural contexts. Erin Ellerbeck argues that dramatic representations of adoption test conventional notions of family by rendering the family unit a social construction rather than a biological certainty, and that in doing so, they evoke the alteration of nature by human hands that was already pervasive at the time.

Erin Ellerbeck is an assistant professor of English at the University of Victoria.

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