A song, so old and yet still famous is a Malay expression of admiration for an exotic singing style, a musical contemplation on the beauty of nature, God, and love. The ghazal exists in manifold cultures all over Asia, Africa, and Southern Europe, and is intimately connected to Islam and its periphery. In each region, ghazals have been shaped into other expressions using imported features and transforming them into local art. In the Malay world, ghazals come in various shapes and with different meanings.The song, so old is the song that came before the proliferation of mass media. The first ghazals that were heard in the Malay world might have been those ghazals performed by Hindustani musicians traveling in Southeast Asia. However, later on, the ghazals development was additionally triggered by mass media, with technological progress enhancing change in urban entertainment and introducing new sources of further adaptations. In this context, the second half line of the lyrics mentioned, and yet still famous, means that despite being old, the song is highly regarded as an art in itself. Malay ghazals are still attractive and musically demanding. They were traditionally not performed for mass appeal, but, rather, for a small knowledgeable audience that valued musical refinement and taste.
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Product Details
Dimensions: 148 x 212mm
Publication Date: 07 Sep 2016
Publisher: Cambridge Scholars Publishing
Publication City/Country: United Kingdom
Language: English
ISBN13: 9781443897594
About Chinthaka Prageeth MeddegodaGisa Jahnichen
Chinthaka Prageeth Meddegoda is Lecturer of North Indian Music at the University of Visual and Performing Arts in Colombo Sri Lanka. He is interested in popular and traditional music of various Asian cultures as well as general issues of human society philosophy and cultural studies. He has been a member of the International Council for Traditional Music (ICTM) since 2013 and has published several academic papers and presented research at international conferences in Japan Indonesia Laos Germany Malaysia France and Thailand. Gisa Jähnichen has been conducting research on music for more than 25 years in South East Asia and is currently working at the Shanghai Conservatory of Music. She obtained her PhD in Musicology and Ethnomusicology from the Humboldt University Berlin Germany and her professorial thesis (Habilitation) in Comparative Musicology from the University of Vienna Austria. Extensive field research led her to Southeast Asia East Africa Southwest and Southeast Europe. Together with Laotian colleagues she built up the Media Section of the National Library in Laos. In 2015 she was awarded a Distinguished Professorship at the Institute for Minority Arts Research of Guangxi Arts University China. She is also Chairperson of a Study Group within the International Council for Traditional Music (ICTM) and Secretary of the Training and Education Committee in the International Association for Sound and Audiovisual Archiving (IASA).
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