{"product_id":"literature-and-sound-film-in-mid-century-britain","title":"Literature and Sound Film in Mid-Century Britain","description":"What happened to cinema and literature when synchronized sound was introduced to the film industry in the late 1920s? Literature and Sound Film in Mid-Century Britain studies the paths of film and text following this event. It asks how British cinema responded to the introduction of sound and how mid-century literature took up the challenge of the synchronized, audio-visual entertainment experience offered by this media change. \n\nBy examining the technological and industrial histories of film and its narrative strategies and by drawing links to twentieth-century literary culture, this study offers a new way of approaching mid-century writing and its media ecology. Developing innovative, audio-visual close readings, this book offers a multi-sensory, multi-media approach that reframes the relationships between cinema and literature in the twentieth century. The study addresses a wide range of film genres, such as musical film, screwball comedy, the thriller, documentary, and melodrama alongside the writings of a large group of authors including Elizabeth Bowen, Patrick Hamilton, Evelyn Waugh, Lewis Grassic Gibbon, Henry Green, Jean Rhys, Ivy Compton-Burnett, and Eric Ambler. It covers an expansive range of films and texts of the 1930s and 1940s and invites readers to comprehensively rethink mid-century media culture by arguing for a growing synergy of film and text.","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":54260431028568,"sku":"9780198950769","price":89.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/1295\/4195\/files\/9780198950769_3390d255-5110-4620-a357-7e5e09a67c9f.jpg?v=1781701246","url":"https:\/\/agendabookshop.com\/products\/literature-and-sound-film-in-mid-century-britain","provider":"Agenda Bookshop","version":"1.0","type":"link"}