Medieval English Theatre 39

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A01=Gordon Kipling
A01=Meg Twycross
A01=Sarah Carpenter
A32=Diana Wyatt
A32=James McBain
A32=James Stokes
A32=Jamie Beckett
A32=Peter Happe
A32=Philip Butterworth
A32=Tom Pettitt
Academic Latin drama
Age Group_Uncategorized
Age Group_Uncategorized
Author_Gordon Kipling
Author_Meg Twycross
Author_Sarah Carpenter
automatic-update
B01=Gordon L. Kipling
B01=Meg Twycross
B01=Professor Gordon Kipling
B01=Sarah Carpenter
British Isles
Category1=Non-Fiction
Category=AN
Category=ATD
Civic mystery cycles
COP=United Kingdom
Delivery_Delivery within 10-20 working days
East Anglian theatre
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European drama
Folk happenings
Gentry festivities
International influences
Language_English
Latin drama
London playhouses
Mechanical stage effects
Medieval
Middle Ages
Modern survivals
PA=Available
Pageant waggon construction
Pageantry
Performance
Price_€20 to €50
PS=Active
Research productions
softlaunch
Stagecraft
Theatre
York Corpus Christi Play

Product details

  • ISBN 9781843844990
  • Weight: 334g
  • Dimensions: 165 x 230mm
  • Publication Date: 15 Jun 2018
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Newest research into drama and performance of the middle ages. Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. This volume features essays on stagecraft, performance, and reception across a wide range of theatrical genres. Overlapping themes include a return to the York Corpus Christi Play, the practicalities of pageant waggon construction and maintenance, mechanical stage effects, international influences, East Anglian theatre and "folk" happenings, academic Latin drama, and private gentry festivities. Contributors include Jamie Beckett, Phil Butterworth, Peter Happé, James McBain, Tom Pettitt, James Stokes, and Diana Wyatt.
SARAH CARPENTER is Honorary Fellow in English Literature, School of Literatures, Languages and Cultures, University of Edinburgh. GORDON L. KIPLING is Emeritus Professor of English Literature, UCLA, Los Angeles. MEG TWYCROSS is professor Emeritus of English Medieval Studies at University of Lancaster