{"product_id":"performers-and-their-arts","title":"Performers and Their Arts","description":"\u003cp\u003eIntroduction \u003cstrong\u003ePart I: Caste, Community and performance\u003c\/strong\u003e \u003c\/p\u003e\u003col\u003e\u003cli\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eA ritual performance of Kerala, \u003cem\u003eVayala Vasudevan Pillai\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eThe Patuas of Bengal, \u003cem\u003eMakbul Islam\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eBards and goddesses: \u003cem\u003eThe Pombalas in Tirupati, Anand Akundy\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eExplorations in the art forms of the Cindu madigas in Andhra, \u003cem\u003eY A Sudhakar Reddy \u003c\/em\u003eand\u003cem\u003e R R Harischandra\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eCaste identity and performance in a fisher-village of Assam, \u003cem\u003eKishore Bhattacharjee\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003ePart II: Performance Beyond Caste\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eTelugu pady natakam in Andhra: Performance dynamics, \u003cem\u003eP Subbachary\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eModernising tradition: The yaksagana in Karnataka, \u003cem\u003eGuru Rao Bapat\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eKalarippayatt as aesthetics and the politics of invisibility in Kerala, \u003cem\u003eP K Sasidharan\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eIndia People’s Theatre Association in colonial Andhra, \u003cem\u003eV Ramakrishna\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eGaddar and the politics and pain of singing, \u003cem\u003eD Venkat Rao\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eReviving moghal tamsa in Orissa, \u003cem\u003eSachi Mohanty\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003ePart III: Classical Dance and its Successors\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eNew directions in Indian dance, \u003cem\u003eSunil Kothari\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eTranspositions in kuchipudi dance, \u003cem\u003eAruna Bhikshu\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eThe impact of commercialization in dance, \u003cem\u003eK Subadra Murthy\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\n\u003cli\u003eArt addressing social problems, \u003cem\u003eAnanda Shankar Jayant\u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e \u003c\/p\u003e \u003c\/li\u003e\u003c\/ol\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":54233501139288,"sku":"9780415401135","price":192.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/1295\/4195\/files\/9780415401135_88e9c678-4fc5-437b-bec2-294c24625437.jpg?v=1769542230","url":"https:\/\/agendabookshop.com\/products\/performers-and-their-arts","provider":"Agenda Bookshop","version":"1.0","type":"link"}