{"product_id":"performing-femininity-woman-as-performer-in-early-russian-cinema","title":"Performing Femininity","description":"Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language.\"","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":47591937933656,"sku":"9781784531591","price":142.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/1295\/4195\/files\/9781784531591.jpg?v=1743741023","url":"https:\/\/agendabookshop.com\/products\/performing-femininity-woman-as-performer-in-early-russian-cinema","provider":"Agenda Bookshop","version":"1.0","type":"link"}