Seventeenth-Century Science and the Arts
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Alessandro Striggio
Analogy
Aristoxenus
Art for art's sake
Astrology
Astronomy
Atomism
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Benedetti
Bernardino Telesio
Bertrand Russell
Cambridge Platonists
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Category=ACQ
Category=AGA
Category=PDX
COP=United States
Copernican heliocentrism
Corpuscularianism
Critical rationalism
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Democritus
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Explanation
Francis Bacon (artist)
Galilei
Galileo Galilei
Girolamo Mei
Humanities
Idealism
Idealization
Intellectual history
Isaac Beeckman
Jean le Rond d'Alembert
Jean-Philippe Rameau
Just intonation
Language_English
Literature
Lynn Thorndike
Mannerism
Marin Mersenne
Mercator projection
Modernism
Music theory
Neoplatonism
Occult
Opticks
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Parmigianino
Philosophy
Philosophy of science
Positivism
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Prose
Protestantism
PS=Active
Pythagoreanism
Ralph Cudworth
Renaissance
Renaissance art
Romanticism
Salomon's House
Science
Scientific method
Scientific revolution
Scientist
softlaunch
Stephen Toulmin
Swarthmore College
Syntonic comma
Teleological argument
The Carracci
The Mind of God
The New Science
The Philosopher
Theory
Thomas Harriot
Thomas Hobbes
Thomas Pigot (academic)
Treatise
Two New Sciences
Vincenzo Galilei
Writing
Product details
- ISBN 9780691651996
- Weight: 397g
- Dimensions: 152 x 235mm
- Publication Date: 19 Apr 2016
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
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Was there a continuity between the "vigorous art and the seminal science" of the seventeenth century? How did they affect one another? Which, if either, was dominant? Four distinguished scholars explore the relation between seventeenth century science and the creative arts in a series of four essays: Introduction, by Stephen E. Toulmin of Columbia; Science and Literature, by Douglas Bush of Harvard; Science and Visual Art, by James S. Ackerman of Harvard; and Scientific Empiricism in Musical Thought, by Claude V. Palisca of Yale. Originally published in 1961. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
