Shakespearean Romance

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A Midsummer Night's Dream
A01=Howard M. Felperin
Age Group_Uncategorized
Age Group_Uncategorized
Ancient Greek comedy
Anti-romance
Archimago
Author_Howard M. Felperin
automatic-update
Beaumont and Fletcher
Caliban
Category1=Non-Fiction
Category=DSBD
Category=DSG
Category=DSGS
Chivalric romance
COP=United States
Courtly love
Cymbeline
Delilah
Delivery_Delivery within 10-20 working days
Deus ex machina
Epic poetry
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Euripides
Friar Bacon and Friar Bungay
G. (novel)
G. Wilson Knight
Green World
Henriad
Jaques (As You Like It)
Joseph Addison
Language_English
Leontes
Literature
Love's Labour's Lost
Lycidas
M. H. Abrams
Malvolio
Mary Shelley
Matter of Britain
Misery (novel)
Morality play
Mutability (poem)
Mystery play
Northrop Frye
Odysseus
PA=Not available (reason unspecified)
Palinode
Paradise Regained
Pericles
Petruchio
Poetry
Price_€100 and above
Prince of Tyre
Protestantism
PS=Active
Romance/Romance
RomanceRomance
Romantic comedy film
Rosencrantz and Guildenstern
Samuel Taylor Coleridge
Sentimentality
Seriousness
Shakespeare's plays
Shakespearean comedy
Shylock
Simile
Sir Orfeo
softlaunch
Sycorax
The Comedy of Errors
The Faerie Queene
The Fair Maid of the West
The Great Tradition
The Knight's Tale
The Pilgrim's Progress (opera)
The Prophetess (play)
The Taming of the Shrew
The Tempest
Tragedy
Trial by combat
Troilus and Criseyde
Trojan War
Twelfth Night
V.
Verisimilitude (fiction)
Wild man
William Shakespeare

Product details

  • ISBN 9780691646473
  • Weight: 624g
  • Dimensions: 152 x 235mm
  • Publication Date: 19 Apr 2016
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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If Shakespeare's last plays--Pericles, Cymbeline, The Winter's Tale, The Tempest, and Henry VIII--are to be neither debunked nor idealized but taken seriously on their own terms, they must be examined within the traditions and conventions of romance. Howard Felperin defines this relatively neglected literary mode and locates these plays within it. But, as he shows, romance was not simply an established genre in which Shakespeare worked at both the beginning and end of his career but a mode of perceiving the world that pervades and shapes his entire work. The last plays are examined to answer such questions as: How does Shakespeare raise to a higher power the conventions of romance available to him, particularly those of the native medieval drama? How does he bring us to accept these elements of romance? Above all, how does romance, the mode in which the imagination enjoys its freest expression, become the vehicle, not of beautiful, escapist fantasy but of moral truth? Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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