{"product_id":"shakespearean-tragedy-and-its-double","title":"Shakespearean Tragedy and Its Double","description":"\u003cp\u003eWhy does Shakespearean tragedy continue to move spectators even though Elizabethan philosophical assumptions have faded from belief? \u003ci\u003eShakespearean Tragedy and Its Double\u003c\/i\u003e seeks answers in the moment-by-moment dynamics of performance and response, and the Shakespearean text signals those possibilities.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eShakespearean Tragedy and Its Double\u003c\/i\u003e investigates the poetics of audience response. Approaching tragedy through the rhythms of spectatorial engagement and detachment (\"aesthetic distance\"), Kent Cartwright provides a performance-oriented and phenomenological perspective. \u003ci\u003eShakespearean Tragedy and Its Double \u003c\/i\u003eanalyzes the development of the tragic audience as it oscillates between engagement—an immersion in narrative, character, and physical action—and detachment—a consciousness of its own comparative judgments, its doubts, and of acting and theatricality. Cartwright contends that the spectator emerges as a character implied and acted upon by the play. He supports his theory with close readings of individual plays from the perspective of a particular element of spectatorial response: the carnivalesque qualities of \u003ci\u003eRomeo and Juliet\u003c\/i\u003e; the rhythm of similitude, displacement, and wonder in the audience's relationships to \u003ci\u003eHamlet\u003c\/i\u003e; aesthetic distance as scenic structure in \u003ci\u003eOthello\u003c\/i\u003e; the influence of secondary characters and ensemble acting on the Quarto \u003ci\u003eKing Lear\u003c\/i\u003e; and spectatorship as action itself in \u003ci\u003eAntony and Cleopatra\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eShakespearean Tragedy and Its Double\u003c\/i\u003e treats the dramatic moment in Shakespearean tragedy as uncommonly charged, various, indeterminate, always negotiating unpredictably between the necessary and the spontaneous. Cartwright argues that, for the audience, the very dynamism of tragedy confers a certain enfranchisement, and the spectator's experience emerges as analogous to, though different from, that of the protagonist. Through its own engagement and detachments the audience becomes the final performer creating the play's meaning.\u003c\/p\u003e","brand":"Pennsylvania State University Press","offers":[{"title":"Default Title","offer_id":54251889000792,"sku":"9780271026251","price":40.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/1295\/4195\/files\/9780271026251.jpg?v=1771328744","url":"https:\/\/agendabookshop.com\/products\/shakespearean-tragedy-and-its-double","provider":"Agenda Bookshop","version":"1.0","type":"link"}