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Product details
- ISBN 9781441105301
- Weight: 450g
- Publication Date: 14 Jul 2011
- Publisher: Continuum Publishing Corporation
- Publication City/Country: US
- Product Form: Hardback
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This new collection of essays on Coetzee examines how his novels create and unsettle literary authority. Its unique contribution is to show how Coetzee provokes us into reconsidering certain basic formal and existential questions such as the nature of literary realism, the authority of the author and the constitution of the human self in a posthumanist setting by consciously revealing the literary-theoretical seams of his work. Strong Opinions makes the innovative claim that Coetzees work is driven not by a sense of scepticism or nihilism but rather by a form of controlled exposure that defines the literary. The essays in the volume variously draw attention to three of Coetzees most recent and significant experiments in controlled exposure. The first is the exposure of place-Coetzees decision to set his novels in his newly adopted country of Australia. The second is the exposure of form-Coetzees direct, almost essayistic address of literary-philosophical topics within his novels. And the third is the exposure of limits-Coetzees explicit deconstruction of the traditional limits of human life.
Sue Kossew is Professor of English at Monash University, Australia. Her publications include Pen and Power: A Post-colonial Reading of J. M. Coetzee and Andre Brink (Atlanta, 1996), Critical Essays on J. M. Coetzee (Twayne, 1998), Re-Imagining Africa: New Critical Perspectives (Nova Science, 2001, co-edited with Dianne Schwerdt) and Writing Woman, Writing Place: Australian and South African Fiction (Routledge, 2004). Julian Murphet is Professor of Modern Film and Literature at the University of New South Wales, Australia. He is the author of Multimedia Modernism (Cambridge, 2009), Literature and Race in Los Angeles (Cambridge, 2001), co-author of Narrative and Media (Cambridge, 2005), and co-editor of Literature and Visual Technologies (Palgrave, 2003). Chris Danta is an Australian Research Council Postdoctoral Fellow in the School of English, Media and Performing Arts at the University of New South Wales. He has published essays in New Literary History, Textual Practice, Modernism/Modernity, Sub-Stance and Literature and Theology.
