{"product_id":"synchronization-and-title-sequences-1","title":"Synchronization and Title Sequences","description":"\u003cp\u003eSynchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from \u003ci\u003eVertigo \u003c\/i\u003e(1958) to \u003ci\u003eThe Player \u003c\/i\u003e(1990) and \u003ci\u003eX-Men: First Class \u003c\/i\u003e(2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":54242929475928,"sku":"9780367890391","price":31.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/1295\/4195\/files\/9780367890391.jpg?v=1769843748","url":"https:\/\/agendabookshop.com\/products\/synchronization-and-title-sequences-1","provider":"Agenda Bookshop","version":"1.0","type":"link"}