Toward a Modern Japanese Theatre

Regular price €142.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=J. Thomas Rimer
Acting
Age Group_Uncategorized
Age Group_Uncategorized
Arthur Wing Pinero
August Strindberg
Author_J. Thomas Rimer
automatic-update
Bertolt Brecht
Broadway theatre
Category1=Non-Fiction
Category=AN
Category=ATD
Category=DSG
Category=HBJF
Category=NHF
Chikamatsu Monzaemon
Contemporary art
Contemporary society
COP=United States
Critical Essays (Orwell)
Culture of Japan
Delivery_Pre-order
Domestic drama
Drama
Dramaturgy
Edith Craig
Elmer Rice
Emperor Meiji
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Eugene Ionesco
Hideo
Hijikata
I Wish (manhwa)
Ibid (short story)
Intelligentsia
Jacques Copeau
Japanese art
Japanese clothing
Japanese language
Japanese literature
Japanese name
Japanese poetry
Jidaimono
Jules Renard
Jules Romains
Kaishaku (manga group)
Katagiri Katsumoto
Kenzo (brand)
Language_English
Luigi Pirandello
Map of Japan (Kanazawa Bunko)
Maria Ley-Piscator
Meiji period
Meiji University
Melodrama
Moliere
Monogatari (series)
Moscow Art Theatre
New Thought
Novelist
PA=Temporarily unavailable
Play (theatre)
Playwright
Poetic realism
Price_€100 and above
PS=Active
Revue
Rokumeikan
Romanticism
Samurai Warriors (anime)
Shakespeare's plays
Sherwood Anderson
Shingeki
Shusaku Endo
softlaunch
Stagecraft
Tanaka Chikao
Theatre
Theatre director
Theatre of Japan
Theatre of the Absurd
To This Day
Traditional story
University of Tokyo
W. Somerset Maugham
Waseda University
Westernization
William Shakespeare

Product details

  • ISBN 9780691645568
  • Weight: 624g
  • Dimensions: 152 x 235mm
  • Publication Date: 19 Apr 2016
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
Long accustomed to writing in the tradition of the flamboyant kabuki, Japanese dramatists had a more difficult struggle in modernizing their art than did writers of fiction and poetry. The work of Kishida Kunio, however, established and matured modern Japanese drama, modeled on the western psychological drama of Ibsen and Chekhov. J. Thomas Rimer traces the initial modernization efforts undertaken by the first generation of Japanese playwrights of the shingeki, or "New Theatre.'" His study then concentrates on the work of Kishida Kunio, the most important figure in the Japanese theatre of the 1930s and 1940s. Kishida, who studied with the well-known French director Jacques Copeau in 1921, returned to Japan with the goal of establishing a modern drama of psychological dimensions for the Japanese theatre. His work demonstrated his talent as a playwright and laid the foundation for later modern Japanese playwrights. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

More from this author