{"product_id":"writing-time","title":"Writing Time","description":"\u003cp\u003e\u003cb\u003eCowinner of the Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cb\u003e\u003ci\u003eWriting Time\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e shows how serial literature based in journals and anthologies shaped the awareness of time at a transformative moment in the European literary and political landscapes\u003c\/b\u003e. Sean Franzel explores how German-speaking authors and editors \"write time\" both by writing about time and by mapping time itself through specific literary formats.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThrough case studies of such writers as F. J. Bertuch, K. A. Böttinger, J. W. Goethe, Ludwig Börne, and Heinrich Heine, Franzel analyzes how serial writing predicated on open-ended continuation becomes a privileged mode of social commentary and literary entertainment and provides readers with an ongoing \"history\" of the present, or \u003ci\u003eZeitgeschichte\u003c\/i\u003e. Drawing from media theory and periodical studies as well as from Reinhart Koselleck's work on processes of temporalization and \"untimely\" models of historical time, \u003ci\u003eWriting Time\u003c\/i\u003e presents \"smaller\" literary forms—the urban tableau, cultural reportage, and caricature—as new ways of imagining temporal unfolding, recentering periodicals and other serial forms at the heart of nineteenth-century print culture.\u003c\/b\u003e\u003c\/p\u003e","brand":"Cornell University Press","offers":[{"title":"Default Title","offer_id":54219145511256,"sku":"9781501772450","price":34.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/1295\/4195\/files\/9781501772450_b663d33c-c10f-4987-a763-6ee7e00096d4.jpg?v=1779504356","url":"https:\/\/agendabookshop.com\/products\/writing-time","provider":"Agenda Bookshop","version":"1.0","type":"link"}