Author: Robert Ignatius Letellier

Daniel-François-Esprit Auber (17821871), the most amiable French composer of the 19th century, came to his abilities late in life. After a stalled ...

Daniel-François-Esprit Auber (1782-1871), the most amiable French composer of the nineteenth century, came to his abilities late in life. After a s...

The overtures of Daniel-François-Esprit Auber (17821871), once as popular as those of Gioacchino Rossini and Franz von Suppé, were formerly known e...

This second volume of Meyerbeer''s non-operatic work is devoted to his secular choral writing for male voices, solo songs with chorus, and later so...

This volume brings together a collection of the orchestral works of the composer Giacomo Meyerbeer. He is remembered as one of the great figures of...

Daniel-François-Esprit Auber (17821871), the most amiable French composer of the 19th century, came to his abilities late in life. After a stalled ...

Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century ...

This collection of essays examines the intellectual content and structural underpinning of French Grand Opera, which flourished in Paris from 1828-...

Whether one approaches the Bible from a perspective of faith, culture or literature, the power of the writing, the human situations, language and g...

ARSC Awards for Excellence, 2014: Best Historical Research in Classical Music (Certificate of Merit).This book presents a discography of recordings...

Daniel-François-Esprit Auber (17821871), the most amiable French composer of the 19th century, came to his abilities late in life. After a stalled ...

Daniel-Francois-Esprit Auber (1782-1871), once one of the most well-known and well-loved names in French 19th-century opera, came later in life tha...

Daniel-François-Esprit Auber (17821871) was long considered one of the most typically French as well as one of the most successful of the opera com...

Daniel-François-Esprit Auber (17821871), once one of the most well-known and well-loved names in French 19th-century opera, came later in life than...