Beat Film, Beat Writers

Regular price €167.40
A01=David Stephen Calonne
aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
Author_David Stephen Calonne
automatic-update
Beat Literature
Beatnik
Beatnik Literature
Category1=Non-Fiction
Category=DSBH
Category=H
Category=JBCT
Category=JFD
Category=NH
COP=United Kingdom
Delivery_Pre-order
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_new_release
eq_non-fiction
eq_society-politics
Ezra Pound
Jim Morrison
Language_English
PA=Not yet available
poetics
Price_€100 and above
PS=Forthcoming
softlaunch
The Beats
The Doors
William Carlos Williams
William S. Burroughs

Product details

  • ISBN 9781032689173
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 25 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days
: On Backorder

Will Deliver When Available
: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

Beat Film, Beat Writers is the first monograph to analyze the films of Christopher Maclaine, Lawrence Jordan, ruth weiss, Ron Rice, Robert Frank, Barbara Rubin, Shirley Clarke, William S. Burroughs, and Joanne Kyger. The book is noteworthy for its emphasis on women filmmakers who have traditionally been excluded from close analysis by film scholars. Beat Film, Beat Writers also explores the ways Beat authors such as Philip Lamantia, Michael McClure, Diane di Prima, Wiliam S. Burroughs, Allen Ginsberg, Jack Kerouac, Peter Orlovsky, Gregory Corso, Joanne Kyger, and others became deeply involved with the film communities of New York and California. The book discusses their roles as both actors and participants in the making of these films and demonstrates how many of the same themes that characterized Beat literature surface in cinema. The anxiety over the possibilities of nuclear war, the search for deeper modes of spirituality in the study of Buddhism as well as occult and esoteric systems, the struggle for equality for the LGBTQ+ community, the beginnings of the ecological movement, and the fight against censorship and the open depiction of sexuality are all themes that occur both in Beat film and in Beat literature. Beat Film, Beat Writers also features an Epilogue on the cinema of singer and poet Jim Morrison, who, although not part of the Beat movement, was deeply influenced by Beat literature and carried on many of the aesthetic and philosophical aims of the Beats into the late sixties.

David Stephen Calonne is the author of several books including William Saroyan: My Real Work Is Being; The Spiritual Imagination of the Beats; Diane di Prima: Visionary Poetics and the Hidden Religions; R. Crumb: Literature, Autobiography, and the Quest for Self; Jazz, Counterculture, and the Sacred; and biographies of Charles Bukowski and Henry Miller. He has also edited five volumes of uncollected prose by Bukowski for City Lights. Calonne has lectured internationally and taught at the University of Texas at Austin, the University of Michigan, and the University of Chicago. He presently teaches at Eastern Michigan University.