Beatrice Helg

About Philippe PiguetRobert WilsonSerge LinaresSylviane Dupuis

Béatrice Helg was born in Geneva in 1956. After studying the cello she studied photography in the United States and worked in the Exhibitions Department of the International Center of Photography (ICP) in New York. From the onset Helg developed a personal signature for her uses of space light and matter and it has been given international recognition. More than sixty-five solo exhibitions have been devoted to her oeuvre in Europe the United States and Japan. Among these are shows at the Palazzo Fortuny in Venice at the Museum Tinguely in Basel at the Institut Valencià d Art Modern (IVAM) in Valencia at the Museum of Contemporary Photography in Chicago at the Museum of Photographic Arts in San Diego at Paris Photo and at the Rencontres de la Photographie in Arles. Robert Wilson is among the world's foremost theatre and visual artists. His works for the stage unconventionally integrate a wide variety of artistic media including dance movement lighting sculpture music and text. In 1970 Wilson created Deafman Glance his first signature work. With Philip Glass he wrote the seminal opera Einstein on the Beach (1976). He is best known for his collaborations with writers and musicians: Heiner Müller William Burroughs and Lou Reed. Wilson's productions and innovative uses of time light and space on stage have won the acclaim of audiences and critics internationally. Wilson has been honoured with a number of awards for excellence including a Pulitzer Prize nomination the Golden Lion of the Venice Biennale and an Olivier Award. Wilson is the founder and Artistic Director of The Watermill Center a laboratory for the arts in Water Mill New York. Serge Linarès is a professor of twentieth- and twenty-first-century French literature at the Sorbonne Nouvelle University (Paris 3). As a Jean Cocteau specialist he was the editor of Cocteau's collected novels (OEuvres romanesques complètes) in the Bibliothèque de la Pléiade series in 2006. He has also written two studies about the writer and artist: Jean Cocteau: le grave et l'aigu (1999) and Cocteau: La ligne d'un style (2000). Interested in the relationships between literature and art he has published Écrivains artistes: La tentation plastique (XVIIIe-XXIe siècle) (2010) Fenosa la sculpture et les lettres (2011) and Picasso et les écrivains (2013). His research on the spatialisation of poetic texts has recently led to the publication of his Poésie en partage: Sur Pierre Reverdy et André du Bouchet (2018). Philip Piguet is a historian art critic and independent curator of exhibitions. He has been responsible for organising exhibitions at the Chapelle-Espace d art contemporain in Thonon-les-Bains since 2008 and is the artistic director of the Normandie Impressionniste Festival for 2020. He has contributed regularly to the review Art Absolument since 2002 and occasionally to artpress. Sylviane Dupuis is a Swiss poet playwright essayist and critic. She was a lecturer in Swiss francophone literature in the Modern French Department of the University of Geneva between 2004 and 2018. Her many publications comprise seven books of poetry including Creuser la nuit (winner of the C.F. Ramuz Poetry Prize in 1986) and five plays including La Seconde Chute (Zoé 1993) translated into seven languages and Les Enfers ventriloques (winner of the Prize awarded in 2004 by the Journées de Lyon des Auteurs de théâtre). Her most recent books are Qu'est-ce que l'art ? 33 propositions (Zoé 2013) and Géométrie de l'illimité / Poème de la méthode (Poche Poésie Empreintes 2019).