Fashion, Identity, Image

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A01=Angelene Wong
A01=Paul Jobling
A01=Philippa Nesbitt
age
Age Group_Uncategorized
Age Group_Uncategorized
Alessandro Michele
Andrea Giacobbe
Ari Seth Cohen
authentic self
authenticity
Author_Angelene Wong
Author_Paul Jobling
Author_Philippa Nesbitt
authorship
automatic-update
body
branding
Category1=Non-Fiction
Category=AKT
Category=AKTA
Category=GTC
Category=JBCC3
Category=JFC
Category=JFSJ
Category=JH
Category=KNSX
Category=KNT
Christian Dior
clothing
COP=United Kingdom
cyborg
Delivery_Delivery within 10-20 working days
dress
eq_art-fashion-photography
eq_business-finance-law
eq_isMigrated=2
eq_non-fiction
eq_society-politics
feminism
gender
heterotopia
Language_English
LGBTQ
Magali Nougarède
McQueen
model
non-binary
PA=Available
Posthuman
Price_€50 to €100
PS=Active
race
softlaunch
subversion
tokenism
transgender

Product details

  • ISBN 9781350183216
  • Dimensions: 156 x 234mm
  • Publication Date: 05 May 2022
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

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How has the fashion industry responded to turn-of-the-millennium non-binary identities? Do they have a supportive or exploitative relationship with queer, trans and ageing subjects? Fashion, Identity, Image unpacks these questions and many more in relation to clothing and representation, identity and body politics in British, European and American culture between 1990 and 2020.

Jobling, Nesbitt and Wong explore issues of intersectionality and inclusivity through groundbreaking shows, including Maria Grazia Chiuri’s ‘We Should All Be Feminists’ catwalk show for Dior (Spring-Summer 2017), Alexander McQueen’s ‘The Widows of Culloden’ collection (Fall-Winter 2006), and the role of transgender models such as Oslo Grace since 2015. Looking to the future of our relationship with fashion, there's also an investigation of the android as a redemptive figure in Alessandro Michele’s cross-cultural cyborg collection for Gucci (Autumn-Winter 2018/2019) and the impact of the ageing population with analysis of age and memory in work such as Magali Nougarède’s Crossing the Line (2002), and pleasure and morality in fashion publicity since the 1990s for the likes of Calvin Klein, D&G and American Apparel.

Paul Jobling is the author of Fashion Spreads (Berg, 1999), Man Appeal (Berg, 2005) and Advertising Menswear (Bloomsbury, 2014). He was Visiting Professor between 2018 and 2020 for the MA Fashion Studies at The New School, Parsons Paris, France.

Philippa Nesbitt graduated from the MA Fashion Studies, The New School, Parsons Paris. Her MA thesis explores the emergence and impact of gender non-conformativity in global fashion modelling and media. She is currently digital curator for Revue magazine.

Angelene Wong graduated from the MA Fashion Studies, The New School, Parsons Paris. She is a doctoral student at School of Art, Design and Media at Nanyang Technological University, Singapore, and a dance artist. Her doctoral thesis focusses on body politics at the intersection of fashion media, dance, and digitalisation.