Forms of Attention

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A01=Frank Kermode
A23=Frank Lentricchia
academia
aesthetics
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ancient world
art
audience
Author_Frank Kermode
automatic-update
botticelli
canon formation
Category1=Non-Fiction
Category=AB
Category=DSA
Category=DSBD
Category=DSG
Category=DSGS
classicism
classics
COP=United States
criticism
dante
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eq_art-fashion-photography
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eq_non-fiction
hamlet
interpretation
Language_English
legacy
literature
modernity
nonfiction
PA=Available
painting
poetry
popularity
Price_€10 to €20
PS=Active
public opinion
recovery
renaissance
revival
scholarship
softlaunch
success
swinburne
value
victorian
walter pater

Product details

  • ISBN 9780226431758
  • Weight: 142g
  • Dimensions: 14 x 20mm
  • Publication Date: 30 Sep 2011
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Sir Frank Kermode, the British scholar, teacher, and author, was an inspired critic. "Forms of Attention" is based on a series of three lectures he gave on canon formation, or how we choose what art to value. The opening essay, on Botticelli, traces the artist's sudden popularity in the nineteenth century for reasons that have more to do with poetry than painting. In the second essay, Kermode reads Hamlet from a very modern angle, offering a useful (and playful) perspective for a contemporary audience. The final essay is a defense of literary criticism as a process and conversation that, while often conflating knowledge with opinion, keeps us reading great art and working with - and for - literature.
Frank Kermode (1919-2010) was a British literary critic who taught English literature at University College London, the University of Cambridge, Columbia University, and Harvard University. His criticism was regularly featured in the London Review of Books and the New York Review of Books, and he was the author of many books, including The Sense of an Ending; The Classic; The Genesis of Secrecy; and, most recently, Concerning E. M. Forster. Kermode was knighted in 1991.