Funky Nassau
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★★★★★
Regular price
€38.99
Regular price
€39.99
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Sale price
€38.99
A01=Timothy Rommen
afro bahamian
Age Group_Uncategorized
Age Group_Uncategorized
Author_Timothy Rommen
automatic-update
baha men
bahamas
bahamian culture
bahamian musicians
bay street
bilby
blind blake
calypso
caribbean
carnival
Category1=Non-Fiction
Category=AVGP
Category=AVLP
colonialism
colony
COP=United States
Delivery_Pre-order
eq_art-fashion-photography
eq_isMigrated=2
eq_music
eq_non-fiction
ethnomusicology
former colony
freedom
history
independence
islands
junkanoo
Language_English
music
musicians
national identity
nonfiction
PA=Temporarily unavailable
popular music
postcolonial
Price_€20 to €50
PS=Active
rake n scrape
rebellion
republic
revolution
softlaunch
tourism
tropical
Product details
- ISBN 9780520265691
- Weight: 454g
- Dimensions: 152 x 229mm
- Publication Date: 19 May 2011
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
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This book examines the role music has played in the formation of the political and national identity of the Bahamas. Timothy Rommen analyzes Bahamian musical life as it has been influenced and shaped by the islands' location between the United States and the rest of the Caribbean; tourism; and Bahamian colonial and postcolonial history. Focusing on popular music in the second half of the twentieth and early twenty-first centuries, in particular rake-n-scrape and Junkanoo, Rommen finds a Bahamian music that has remained culturally rooted in the local even as it has undergone major transformations. Highlighting the ways entertainers have represented themselves to Bahamians and to tourists, "Funky Nassau" illustrates the shifting terrain that musicians navigated during the rapid growth of tourism and in the aftermath of independence.
Timothy Rommen is Associate Professor in the Department of Music at the University of Pennsylvania. He is the author of Mek Some Noise: Gospel Music and the Ethics of Style in Trinidad (UC Press), which in 2008 was awarded the Alan Merriam Prize from the Society for Ethnomusicology.
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