Hedda Gabler
Regular price
€17.50
Just married. Bored already. Hedda longs to be free.
This vital new version by Patrick Marber (Closer, Three Days in the Country) opened at the National Theatre, London, in December 2016.
'A bold, clear, finally harrowing account of the play.' DAILY TELEGRAPH
'Forces us to see Ibsen's masterpiece with fresh eyes.' GUARDIAN
Henrik Ibsen (1828-1906), Norwegian poet and playwright, was one of the shapers of modern theatre, who tempered naturalism with an understanding of social responsibility and individual psychology. His earliest major plays, Brand (1866) and Peer Gynt (1867), were large-scale verse dramas, but with Pillars of the Community (1877) he began to explore contemporary issues. There followed A Doll's House (1879), Ghosts (1881) and An Enemy of the People (1882). A richer understanding of the complexity of human impulses marks such later works as The Wild Duck (1885), Rosmersholm (1886), Hedda Gabler (1890) and The Master Builder (1892), while the imminence of mortality overshadows his last great plays, John Gabriel Borkman (1896) and When We Dead Awaken (1899). Patrick Marber was born in London in 1964. He began his career as a writer in 1986. He co-wrote and appeared in a number of radio and television programmes including The Day Today and Knowing Me, Knowing You and, more recently, BBC R4's Bunk Bed (with Peter Curran). In 1995 his first play Dealer's Choice premiered at the National Theatre in a production he also directed. Since then, he has written and directed plays and screenplays including After Miss Julie, Closer, Howard Katz, Don Juan in Soho, The Red Lion, Three Days in the Country, Hedda Gabler, Notes on a Scandal and Love You More. He has also directed two of Tom Stoppard's plays, a revival of Travesties and the premiere of Leopoldstadt. He lives in London with his wife and their three children.