I've Got to Make My Livin'

Regular price €39.99
A01=Cynthia M. Blair
academic
activism
activist
african
Age Group_Uncategorized
Age Group_Uncategorized
america
american
Author_Cynthia M. Blair
automatic-update
black
Category1=Non-Fiction
Category=HBJK
Category=HBLL
Category=HBLW
Category=HBTB
Category=JBSD
Category=JBSF1
Category=JBSL
Category=JFSG
Category=JFSJ1
Category=JFSL
Category=JFSL3
Category=JMU
Category=NHK
Category=NHTB
chicago
city
contemporary
COP=United States
cultural
culture
Delivery_Delivery within 10-20 working days
economic
eq_history
eq_isMigrated=2
eq_non-fiction
eq_society-politics
feminism
historical
history
illinois
intersectional
labor
Language_English
market
middle class
midwest
modern
PA=Available
Price_€20 to €50
prostitute
prostitution
PS=Active
race
racism
reform
research
scholarly
sex work
sexuality
social
softlaunch
taboo
turn of the century
united states
urban
usa
women
womens issues

Product details

  • ISBN 9780226597584
  • Weight: 510g
  • Dimensions: 17 x 23mm
  • Publication Date: 28 Sep 2018
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days
: On Backorder

Will Deliver When Available
: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

For many years, the interrelated histories of prostitution and cities have perked the ears of urban scholars, but until now the history of urban sex work has dealt only in passing with questions of race. In I’ve Got to Make My Livin’, Cynthia Blair explores African American women’s sex work in Chicago during the decades of some of the city’s most explosive growth, expanding not just our view of prostitution, but also of black women’s labor, the Great Migration, black and white reform movements, and the emergence of modern sexuality.

Focusing on the notorious sex districts of the city’s south side, Blair paints a complex portrait of black prostitutes as conscious actors and historical agents; prostitution, she argues here, was both an arena of exploitation and abuse, as well as a means of resisting middle-class sexual and economic norms. Blair ultimately illustrates just how powerful these norms were, offering stories about the struggles that emerged among black and white urbanites in response to black women’s increasing visibility in the city’s sex economy. Through these powerful narratives, I’ve Got to Make My Livin’ reveals the intersecting racial struggles and sexual anxieties that underpinned the celebration of Chicago as the quintessentially modern twentieth-century city.