A01=Flannery Wilson
Age Group_Uncategorized
Age Group_Uncategorized
Author_Flannery Wilson
automatic-update
Category1=Non-Fiction
Category=APF
Category=ATF
Chinese language cinema
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_isMigrated=2
eq_non-fiction
intertextuality
Language_English
New Wave
PA=Available
postcolonial
Price_€20 to €50
PS=Active
softlaunch
Taiwanese cinema
transnationalism
Product details
- ISBN 9781474405577
- Weight: 320g
- Dimensions: 156 x 234mm
- Publication Date: 31 May 2015
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Delivery/Collection within 10-20 working days
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
10-20 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Places Taiwanese cinema from the 1980s onwards in both national and transnational contexts. In the Taiwanese film industry, the dichotomy between art house and commercially viable films is heavily emphasised by both scholars and the local media. This stems from two separate desires on the part of filmmakers: art house filmmakers in Taiwan are largely dependent on international distributors for funding, and, as a result, they aim to reach international audiences. On the other hand, mainstream commercial films in Taiwan tend to be produced without international export in mind. On a textual level, however, this dichotomy is not so clear cut. Although the difference between art house and commercial film may be very real in financial terms, this is not necessarily the case in the context of the films themselves. These relationships create the need for a new way of thinking about transnationalism altogether.
It provides a nuanced picture of the Taiwanese film industry since democratisation and isolation from the Peoples Republic of China; features close readings of the films of Tsai Ming liang, Edward Yang, Hou Hsiao hsien, and Ang Lee; connects Taiwanese cinema to the global cinema landscape more generally and refines the study of transnationalism by positing a new mode for viewing contemporary national cinema movements.
Flannery Wilson teaches French, Italian and Film Studies. Currently, she is teaching French at the University of Wisconsin, Stevens Point.
Qty: