Prose
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Regular price
€39.99
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Yves Bonnefoy (1923-2016), a major poet, was equally a seminal essayist and thinker. This companion volume to Yves Bonnefoy: Poems contains what he regarded as his foundational essays, as well as a generous selection from all periods. In his art criticism, as in his literary essays, Bonnefoy manages that rare thing: to impart metaphysical urgency to each discreet encounter with a painting or a poem, born of his constant quest for intensity, for 'presence'. Whether he is examining an early Byzantine fresco, a Shakespeare play, a Bernini angel, a drawing by Blake, a poem by Rimbaud, the exigency, the high seriousness and the challenge is the same: to affirm presence, and finitude, against all forms of life-sapping conceptual thought. If they cannot always deliver ecstasy or hope, the great poets, argues Bonnefoy, are pledged to 'intensity as such', sustained by 'une mélancolie ardente'.
Yves Bonnefoy (1923-2016), regarded as France's greatest poet of the last fifty years, was the author of many volumes of poetry and poetic prose, and numerous books of essays on literature and art, including studies of Baudelaire, Rimbaud, Goya and Giacometti. Between 1981 and 2016 he was Professor (and then Emeritus Professor) of Comparative Poetics at the Collège de France, a position he inherited from Roland Barthes. His work has been translated into scores of languages and he himself was a master translator of Shakespeare, Yeats, Keats, Leopardi, Seferis and others. He received a wide variety of literary prizes.