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Paragone in Nineteenth-Century Art

English

By (author): Sarah J. Lippert

Offering an examination of the paragone, meaning artistic rivalry, in nineteenth-century France and England, this book considers how artists were impacted by prevailing aesthetic theories, or institutional and cultural paradigms, to compete in the art world. The paragone has been considered primarily in the context of Renaissance art history, but in this book readers will see how the legacy of this humanistic competitive model survived into the late nineteenth century.

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€167.40
A01=Sarah J. LippertAccademia FiorentinaAge Group_UncategorizedAuthor_Sarah J. Lippertautomatic-updateBaptist’s HeadBirmingham UKBurne Jones’s WorkCategory1=Non-FictionCategory=ACVCategory=AGACOP=United KingdomDead ManDelivery_Pre-orderDes Esseinteseq_art-fashion-photographyeq_isMigrated=2eq_non-fictionGirodet’s PaintingLanguage_EnglishLessing’s SystemLessing’s TreatiseLessing’s WorkManchester City Art GalleryMoreau’s PaintingsMoreau’s WorkNineteenth Century Visual CulturePA=Temporarily unavailableParagone DebatePolychrome SculpturePope Paul IIIPrice_€100 and abovePrix De RomePS=ActivePygmalion’s StoryRenaissance ParagoneRMN Grand PalaisRona GoffensoftlaunchUt Pictura PoesisYoung Man

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Product Details
  • Weight: 630g
  • Dimensions: 174 x 246mm
  • Publication Date: 10 Apr 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Language: English
  • ISBN13: 9781472430953

About Sarah J. Lippert

Sarah J. Lippert is Associate Professor of Art History and at the University of Michigan-Flint, USA and Editor-in-Chief of the journal Paragone: Past and Present.

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