Theatricality in Early Modern Art and Architecture

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A01=Caroline van Eck
A01=Stijn Bussels
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art history
Art theory
audience
Author_Caroline van Eck
Author_Stijn Bussels
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Category1=Non-Fiction
Category=AB
Category=AM
Category=AN
Category=ATD
COP=United Kingdom
Delivery_Delivery within 10-20 working days
drama
eq_art-fashion-photography
eq_isMigrated=2
eq_non-fiction
Language_English
PA=Available
performance studies
Price_€20 to €50
PS=Active
seventeenth-century art
sixteenth-century art
softlaunch
theatre
visual arts

Product details

  • ISBN 9781444339024
  • Weight: 680g
  • Dimensions: 208 x 274mm
  • Publication Date: 28 Jul 2011
  • Publisher: John Wiley and Sons Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Theatricality in Early Modern Art and Architecture offers the first systematic investigation of exchanges between the arts, architecture and the theatre.

The authors present many new instances of the interaction between the arts, providing a theoretical and historiographical context for these interactions.

  • Offers the first systematic investigation of exchanges between the arts, architecture and the theatre, not simply the influence of the theatre on the arts, and vice versa
  • Develops a theoretical and methodological model to study such exchanges and interactions
  • Presents many new, hitherto unknown instances of the interaction between the arts, particularly architecture, and the theatre, and provides such interactions with a theoretical and historiographical context
  • Authors have opened up new ways of analyzing theatricality both in the arts, architecture and the theatre
Interactions between the visual arts and the theatre are not simply a matter of exchanges of media or genres. They affect the way a play, painting or statue is viewed, the media, genres and arts involved, and the characters on stage or represented in painting or sculpture. These interactions raise questions about the ways genres are distinguished and defined, and ultimately the relation between representation and presence.

This book offers the first systematic investigation of exchanges between the arts, architecture and the theatre, and not just an overview of the influence of the theatre on the arts, and vice versa. The authors take as their starting point a study of the implications of the use of four elements that define early modern theatre: the scenario, the actor, the theatrical space, and the audience. In doing so, the authors open up new ways of analyzing theatricality both in the arts, architecture and the theatre. They also present many new, hitherto unknown instances of the interaction between the arts, and provide these interactions with a theoretical and historiographical context.