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Julie C. Dunbar

Women, Music, Culture

★★★★★
★★★★★
€71.99
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Big Band
Black women
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Chopin
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Doo Wop
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Fanny Mendelssohn
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female composers
female musicians
feminism
Florence Price
gender and music
gender history
gender studies
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International Sweethearts
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Large Scale Works
Make Up
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music and culture
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Tin Pan Alley
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West African Drumming
Western culture
Wolfgang Amadeus Mozart
women and music
women composers
women in music
women musicians
women's history
women's music
women's studies
Women’s Musical Performance
world music

Product details

  • ISBN 9780367138127
  • Weight: 1340g
  • Dimensions: 178 x 254mm
  • Publication Date: 31 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Description

Women, Music, Culture: An Introduction, Third Edition is the first undergraduate textbook on the history and contributions of women in a variety of musical genres and professions, ideal for students in Music and Gender Studies courses. A compelling narrative, accompanied by 112 guided listening experiences, brings the world of women in music to life. The author employs a wide array of pedagogical aides, including a running glossary and a comprehensive companion website with links to Spotify playlists and supplementary videos for each chapter. The musical work of women throughout history—including that of composers, performers, conductors, technicians, and music industry personnel—is presented using both art music and popular music examples.

New to this edition:

    • An expansion from 57 to 112 listening examples conveniently available on Spotify.

    • Additional focus on intersectionality in art and popular music.

    • A new segment on Music and #MeToo and increased coverage of protest music.

    • Additional coverage of global music.

    • Substantial updates in popular music.

    • Updated companion website materials designed to engage all learners. Visit the author's website at www.womenmusicculture.com
About Julie C. Dunbar

Julie C. Dunbar is Professor Emerita of Music at Edgewood College, Madison, Wisconsin, where she taught music history, music appreciation, instrumental music education, and served as Faculty Development Coordinator. Her past publications focus on music in sociocultural contexts as well as vocation in higher education.