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"Alphabetic dismantling, syntactic play, essaying words backwards and 4words (as she might say), Christakos manifests forensic clarity and telegrap...

Where does the fragile, robust self reside when 'personal' voice is sent out online into an ironic masquerade ball of alias identity and wanton pro...

Eschewing prevailing poetic fashion, Sooner reimagines poetry as a kind of cubist fascination, at times even a fascination with fascination itself....

The heart, writes Margaret Christakos, is 'a public organ of private damage.' The poems in Excessive Love Prostheses confess, rather than deride, t...