Crossroads

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16th century
17th century
A19=George S. Abrams
A32=Anne Driesse
A32=Joseph Leo Koerner
A32=William W. Robinson
A32=Yvonne Bleyerveld
Age Group_Uncategorized
Age Group_Uncategorized
amsterdam
automatic-update
B01=Joanna Sheers Seidenstein
B01=Susan Anderson
bruegel
canal
Category1=Non-Fiction
Category=ACQB
Category=AFF
Category=AGA
Category=AGC
Category=AGN
Category=WFA
COP=United States
Delivery_Delivery within 10-20 working days
domestic landscape
dutch national identity
eco-criticism
environmentalism
eq_art-fashion-photography
eq_crafts-hobbies
eq_isMigrated=2
eq_non-fiction
farms
land use
Language_English
low countries
maida and george abrams collection
PA=Available
pastoral
Price_€20 to €50
PS=Active
rembrandt
ruisdael
softlaunch
works on paper

Product details

  • ISBN 9780300263824
  • Dimensions: 279 x 248mm
  • Publication Date: 13 Sep 2022
  • Publisher: Yale University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

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An investigation into how landscape drawing informed a new Dutch identity in the sixteenth and seventeenth centuries

Throughout the sixteenth and seventeenth centuries, amid enormous expansion in global commerce and colonization, landscape drawing played a key role in forging Dutch national identity. Featuring works on paper by Rembrandt, Bruegel, and Ruisdael, among dozens of other artists, this study examines how a hyperlocal impulse in many of these drawings inspired domestic pride and a sense of connection to the land, as they also reflected aspects of the broader ecological and social change taking place. Incisive essays offer close readings that push our understandings of these artists and their work in important new directions, including eco-criticism, land use and environmentalism, race, and class.

Distributed for the Harvard Art Museums


Exhibition Schedule:

Harvard Art Museums, Cambridge, MA
(May 21–August 14, 2022)
Joanna Sheers Seidenstein is the Stanley H. Durwood Foundation Curatorial Fellow, and Susan Anderson is curatorial research associate for Dutch and Flemish drawings, both in the Division of European and American Art at the Harvard Art Museums, Cambridge, MA.