Surrealism and Photography in 1930s Japan
★★★★★
★★★★★
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1930s Japan
A01=Jelena Stojkovic
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art history
Asia
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avant garde
Avant Garde Art
Avant Garde Photographers
Camera’s Automatism
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Category=AGA
Category=AJ
censorship
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Dark Flower
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dissident
East Asia
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Film Und Foto
Free Artists
Galerie Maeght
International Surrealist Exhibition
Involuntary Sculptures
Japanese
Japanese Photography
Language_English
Man Ray
Manchurian Incident
modern art
modernism
National Mobilisation Law
Nerval’s Writing
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Pacific War
Paranoiac Critical Method
Photo Clubs
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photographers
Postwar
Postwar Surrealism
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Surrealist Object
Surrealist Painter
Surrealist Photographers
Surrealist Photography
Tokyo Photographic Art Museum
twentieth century
visual culture
World War II
Product details
- ISBN 9781788314053
- Weight: 660g
- Dimensions: 156 x 234mm
- Publication Date: 20 Feb 2020
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as forreaders interested in visual culture.
Jelena Stojković, PhD is an art historian and writer based in London. She is Lecturer in History and Theory of Photography at the Arts University Bournemouth. □
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