Potential History
★★★★★
★★★★★
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€38.99
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A01=Ariella Azoulay
A01=Ariella Aïsha Azoulay
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Archive
Art
Author_Ariella Azoulay
Author_Ariella Aïsha Azoulay
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Category1=Non-Fiction
Category=ABA
Category=AC
Category=AGA
Category=HBTQ
Category=NHTQ
colonialism
COP=United Kingdom
decolonize
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empire
eq_art-fashion-photography
eq_history
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Hannah Arendt
Human Rights
Imperialism
Language_English
Museum Studies
PA=Temporarily unavailable
Palestine
photography
Price_€20 to €50
PS=Active
Slavery
softlaunch
theory
violence
Visual Culture
Product details
- ISBN 9781788735711
- Weight: 738g
- Dimensions: 153 x 234mm
- Publication Date: 19 Nov 2019
- Publisher: Verso Books
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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In this theoretical tour-de-force, renowned scholar Ariella Aïsha Azoulay calls on us to recognize the imperial foundations of knowledge and to refuse its strictures and its many violences.
Azoulay argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasised the possibility of progress while trying to destroy what came before, and voraciously sought out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums.
By practising what she calls potential history, Azoulay argues that we can still refuse the imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas to the Congo ruled by Belgium's brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day. In Potential History, Azoulay travels alongside historical companions - an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums - to chart the ways imperialism has sought to order time, space, and politics.
Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as "past" and making the repair of torn worlds the substance of politics.
Azoulay argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasised the possibility of progress while trying to destroy what came before, and voraciously sought out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums.
By practising what she calls potential history, Azoulay argues that we can still refuse the imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas to the Congo ruled by Belgium's brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day. In Potential History, Azoulay travels alongside historical companions - an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums - to chart the ways imperialism has sought to order time, space, and politics.
Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as "past" and making the repair of torn worlds the substance of politics.
Ariela Aïsha Azoulay is a professor of Comparative Literature and Modern Culture, and Media at Brown University, as well as a curator and documentary filmmaker. Her many books include The Civil Contract of Photography and Civil Imagination: A Political Ontology of Photography, and she has curated exhibits for galleries and museums around the world.
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