I'm Just a Comic Book Boy
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€36.50
Comics and the punk movement are powerfully and inextricably linked. Each has a do-it-yourself ethos and a rebellious spirit to defy authority that complements the other. Though this link seems obvious, this collection of insightful and provocative works provides for first time a thorough analysis of the intersections between comics and punk. It also seeks to expand the discussion beyond the standard US and UK punk scenes to include the influence punk has had on comics produced in other countries, such as Spain and Turkey. Exhaustively researched, this collection is an invaluable work for scholars and fans of comics and punk.
Christopher B. Field is an assistant professor in the languages, literature, and philosophy department at Tennessee State University. His research and teaching interests include contemporary American literature, twentieth-century American literature, early American literature, popular culture, and rhetoric and composition.
Keegan Lannon is an adjunct English instructor at Dominican University in River Forest, Illinois and North Central College in Naperville, Illinois. He has published and presented on comics and narrative theory.
Michael MacBride has taught a variety of English, literature, and humanities courses at universities in and around the Midwest. He lives in Shakopee, Minnesota.
Christopher Douglas is an instructor at the University of Alabama. His scholarly interests include the creation of community in fiction, non-human narration, and the history of the novel.
Keegan Lannon is an adjunct English instructor at Dominican University in River Forest, Illinois and North Central College in Naperville, Illinois. He has published and presented on comics and narrative theory.
Michael MacBride has taught a variety of English, literature, and humanities courses at universities in and around the Midwest. He lives in Shakopee, Minnesota.
Christopher Douglas is an instructor at the University of Alabama. His scholarly interests include the creation of community in fiction, non-human narration, and the history of the novel.