Creating the Perfect Form

Regular price €87.99
Regular price €88.99 Sale Sale price €87.99
A01=Janet Wood
A01=Ms Janet Wood
Age Group_Uncategorized
Age Group_Uncategorized
Author_Janet Wood
Author_Ms Janet Wood
automatic-update
Category1=Non-Fiction
Category=ABC
Category=AKT
Category=GLZ
Category=GM
conservation
COP=United Kingdom
Delivery_Delivery within 10-20 working days
display
draping
eq_art-fashion-photography
eq_isMigrated=2
eq_non-fiction
fabric
fashion
garment
historic dress
history
interpretation
Language_English
mannequin
PA=Available
patterns
petticoat
Price_€50 to €100
PS=Active
silhouette
softlaunch
toiles
underwear
worn

Product details

  • ISBN 9781350328655
  • Dimensions: 210 x 270mm
  • Publication Date: 27 Jun 2024
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days
: On Backorder

Will Deliver When Available
: On Pre-Order or Reprinting

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How can the cut of a 19th century gown control its shape? Can you re-create a historic profile from a contemporary mannequin? How can paintings help you analyse historic silhouettes and the corsets and petticoats worn underneath? Conservation and historic dress display specialist Janet Wood will help you answer all these questions. You'll learn how historic garments can be safely handled and shown to best effect, with insight into the characteristic features of each piece and how to translate them from the garment to a display support. Concentrating on Western women's wear from 1750–1950, and with over 250 colour images, plus drawings and charts, you’ll learn how to interpret an individual garment’s display needs and create safe, appropriate display forms.
Janet Wood is a freelance consultant on large exhibitions in major museums and historic properties, including Chatsworth House and the Museum of London. She was previously a fashion designer working with Thea Porter, Monsoon and freelance (1971-90), and a textile conservator with Historic Royal Palaces (1992–2012).