Medieval Obscenities
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★★★★★
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€31.99
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A32=Carolyne Larrington
A32=Danuta Shanzer
A32=Eamonn Kelly
A32=Emma Dillon
A32=Glenn Davis
A32=Michael Camille
A32=Nicola F McDonald
A32=Professor Alastair J. Alastair J. Minnis
Age Group_Uncategorized
Age Group_Uncategorized
Anglo-Saxon
automatic-update
B01=Nicola F McDonald
B01=Nicola McDonald
Category1=Non-Fiction
Category=JBFV
Category=JBFW
Category=JFMP
Church Courts
COP=United Kingdom
Cultural History
Delivery_Delivery within 10-20 working days
Dirty Words
Ecclesiastical
eq_isMigrated=2
eq_non-fiction
eq_society-politics
Language_English
Late Antiquity
Medieval Culture
Medieval Europe
Middle Ages
Norse Culture
Obscenity
PA=Available
Price_€20 to €50
PS=Active
Reception
Representation
Rude Sounds
Sheela-na-gigs
softlaunch
Product details
- ISBN 9781903153505
- Weight: 340g
- Dimensions: 156 x 234mm
- Publication Date: 20 Feb 2014
- Publisher: York Medieval Press
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Delivery/Collection within 10-20 working days
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Obscenity is central to an understanding of medieval culture, and it is here examined in a number of different media.
Obscenity is, if nothing else, controversial. Its definition, consumption and regulation fire debate about the very meaning of art and culture, law, politics and ideology. And it is often, erroneously, assumed to be synonymous with modernity. Medieval Obscenities examines the complex and contentious role of the obscene - what is offensive, indecent or morally repugnant - in medieval culture from late antiquity through to the end of the Middle Ages in western Europe. Its approach is multidisciplinary, its methodologies divergent and it seeks to formulate questions and stimulate debate. The essays examine topics as diverse as Norse defecation taboos, the Anglo-Saxon sexual idiom, sheela-na-gigs, impotence in the church courts, bare ecclesiastical bottoms, rude sounds and dirty words, as well as the modern reception and representation of the medieval obscene. They demonstrate not only the vitality of medieval obscenity, but its centrality to our understanding of the Middle Ages and ourselves.
Contributors: MICHAEL CAMILLE, GLENN DAVIS, EMMA DILLON, SIMON GAUNT, JEREMY GOLDBERG, EAMONN KELLY, CAROLYNE LARRINGTON, NICOLAMCDONALD, ALASTAIR MINNIS, DANUTA SHANZER
CAROLYNE LARRINGTON is Professor of Medieval European Literature at Oxford University and Official Fellow in Medieval English Literature at St John's College, Oxford.
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