Photofascism
★★★★★
★★★★★
Regular price
€97.99
Regular price
€98.99
Sale
Sale price
€97.99
A01=Vanessa Rocco
Age Group_Uncategorized
Age Group_Uncategorized
Author_Vanessa Rocco
automatic-update
Category1=Non-Fiction
Category=AJCR
Category=AJF
Category=AJR
Category=AJTF
Category=JPFQ
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_isMigrated=2
eq_non-fiction
eq_society-politics
Language_English
PA=Not available (reason unspecified)
Price_€50 to €100
PS=Active
softlaunch
Product details
- ISBN 9781501347061
- Weight: 618g
- Dimensions: 156 x 234mm
- Publication Date: 24 Dec 2020
- Publisher: Bloomsbury Publishing PLC
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
10-20 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-à-vis display culture.
The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. Photofascism demonstrates precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive—even catastrophic—results.
Vanessa Rocco is Associate Professor of Humanities & Fine Arts at Southern New Hampshire University, USA and former Associate Curator at the International Center of Photography (ICP), USA. She is co-editor of The New Woman International: Representations in Photography and Film from the 1870s to the1960s (2011). Rocco organized numerous exhibitions and publications at the ICP, including Louise Brooks and the 'New Woman' in Weimar Cinema (2007), Modernist Photography: Selections from the Daniel Cowin Collection (2005), and Expanding Vision: Moholy-Nagy's Experiments of the 1920s (2004). Her reviews and articles about photography and exhibitions have also appeared in numerous prestigious journals.
Qty: