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Feminist Subjectivities in Fiber Art and Craft

English

By (author): John Corso-Esquivel

This book interprets the fiber art and craft-inspired sculpture by eight US and Latin American women artists whose works incite embodied affective experience. Grounded in the work of Gilles Deleuze and Félix Guattari, John Corso-Esquivel posits craft as a material act of intuition. The book provocatively asserts that fiber art—long disparaged in the wake of the high–low dichotomy of late Modernism—is, in fact, well-positioned to lead art at the vanguard of affect theory and twenty-first-century feminist subjectivities.

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€167.40
A01=John Corso-Esquivelaestheticsaffect theoryaffective art criticismAge Group_Uncategorizedart and feminismart and genderart historyAuthor_John Corso-Esquivelautomatic-updateBlack Mountain CollegeCategory1=Non-FictionCategory=AFWCategory=JBSF11Category=JFFKClaire Falkensteincontemporary artCOP=United StatesCorrugated CardboardCreative Growth Art CenterDe Arte NacionalDeleuzeDelivery_Pre-orderDoll ProjectDouble SheetDrop Ceilingeq_art-fashion-photographyeq_isMigrated=2eq_non-fictioneq_society-politicsFeminist Art Criticismfeminist artistsFiber Artfiber craftGegoGuattariHarvard Art MuseumsJanet EchelmanJudith ScottLanguage_EnglishLatin American Art HistoryMark Di SuveroMatrixial BorderspaceMills GalleryPA=Temporarily unavailablephilosophyPrice_€100 and abovePS=ActiveRose Art MuseumRuth AsawaScott’s ProcesssculptureshadowShadow SpaceSheila PepeShinique SmithSmooth SpacesoftlaunchSonia GomesStriated SpaceSweet Almondtwenty-first-century feminist subjectivitiesUV ResistanceVice VersaWall DrawingsWall HangingsWire Sculpture

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Product Details
  • Weight: 589g
  • Dimensions: 174 x 246mm
  • Publication Date: 10 Jul 2019
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Language: English
  • ISBN13: 9780815374282

About John Corso-Esquivel

John Corso-Esquivel is an associate professor at Oakland University in Rochester, Michigan. He has served terms as the Doris and Paul Travis endowed chair in art history at Oakland and the Critical Studies and Humanities Fellow at Cranbrook Academy of Art, USA.

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