Andy Warhol's The Chelsea Girls
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★★★★★
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1960s New York art scene
A01=Greg Pierce
A14=Gus Van Sant
A23=Raj Roy
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Author_Greg Pierce
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B01=Geralyn Huxley
Category1=Non-Fiction
Category=AJC
Category=APFG
Category=ATFG
COP=United States
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Edie Sedgewick book
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Language_English
movie by Warhol
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Pop Art films
Price_€50 to €100
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softlaunch
Product details
- ISBN 9781942884187
- Weight: 2050g
- Dimensions: 229 x 305mm
- Publication Date: 07 Jun 2018
- Publisher: Distributed Art Publishers
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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Andy Warhol’s The Chelsea Girls had its premiere at the Film-Maker’s Cinémathèque on 15 September 1966. It sold out a 200-seat theatre and went on to become the first film to move from the underground to commercial cinema. Since 1972, when Warhol pulled all of his films out of distribution, the public has had extremely limited access to The Chelsea Girls , outside of museum screenings. In honour of the 20th Anniversary of The Andy Warhol Museum and what would have been Warhol’s 85th birthday, hundreds of Warhol’s films – some never seen before – have been converted to a digital format with the partnership of The Andy Warhol Museum, The Museum of Modern Art, New York, and the Moving Picture Company (MPC), a Technicolor Company.
This book is an in-depth look at Warhol’s most famous film. It includes all newly digitized film stills, never-before-published transcripts, unpublished archival materials, and expanded information about each of the individual films that comprise the three- plus hour film. As the film alternates sound between the left and right screens, the book reproduces the transcript in complete form as one hears it, with imagery from the corresponding reels. There is also a full transcription of the unheard reels in the back of the book. This is a substantial contribution to the scholarship on Warhol’s complex and most commercial film.
This book is an in-depth look at Warhol’s most famous film. It includes all newly digitized film stills, never-before-published transcripts, unpublished archival materials, and expanded information about each of the individual films that comprise the three- plus hour film. As the film alternates sound between the left and right screens, the book reproduces the transcript in complete form as one hears it, with imagery from the corresponding reels. There is also a full transcription of the unheard reels in the back of the book. This is a substantial contribution to the scholarship on Warhol’s complex and most commercial film.
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