Hollywood at the Intersection of Race and Identity

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A32=Alice Maurice
A32=Charlene Regester
A32=Chris Cagle
A32=Delia Malia Caparoso Konzett
A32=Ellen C. Scott
A32=Jonna Eagle
A32=Matthias Konzett
A32=Ruth Mayer
A32=Ryan Jay Friedman
aesthetics
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American cinema
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cinema
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ethnicity
film
film analysis
gender
Hollywood
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identity
ideology
intersectionality
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movies
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race
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Product details

  • ISBN 9780813599311
  • Weight: 513g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Nov 2019
  • Publisher: Rutgers University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Hollywood at the Intersection of Race and Identity explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood’s task of erecting normative cultural standards? How do some films perhaps knowingly undermine their inherent ideology by opening a field of conflicting and competing intersecting identities?  The challenge set out in this volume is to revisit well-known films in search for a narrative not exclusively constituted by the Hollywood formula and to answer the questions: What lies beyond the frame? What elements contradict a film’s sustained illusion of a normative world? Where do films betray their own ideology and most importantly what intersectional spaces of identity do they reveal or conceal?
 
DELIA MALIA CAPAROSO KONZETT is a professor of English, cinema, and women’s studies at the University of New Hampshire in Durham. She is the author of Ethnic Modernisms and Hollywood’s Hawaii: Race, Nation, and War. She has published in numerous critical journals on film, focusing on race, imperialism, and aesthetics. Her present work discusses race in Hollywood and its representation in mass culture.